Meaning:
May Well-Being come to those who remember Sri Gananayaka, the leader of the Ganas, who has the Auspicious Face of an Elephant; Who abides as Moreshwara at Morgaon, and Who abides as giver of Siddhis at Siddhatek. ||1||
Who abides as Sri Ballala (at Pali), Who abides as Vinayaka, The Remover of Obstacles at Muruda (Mahad) and Who abides as Chintamani, a Wish-Fulfilling Gem at Thevur. ||2||
Who abides as Girijatmaja, Son of Devi Girija or Parvati at Lenyadri, and Who abides as Vigneshwara at Ojhara ||3||
Who abides as Ganapati in the village named Raanjana; May He always bestow His Auspicious Grace on us. ||4||
Meaning:
As the Rays from the Lotus-Face of Gauri is Always on Her Beloved Son Gajanana,
Similarly, the Grace of Sri Ganesha is Always on His Devotees; Granting their Many Prayers; the Devotees who with deep devotion Worship the Ekadanta ( Who is having a Single Tusk ).
Meaning:
I Salute Sri Gajananam, Who is having an Elephant Face, Who is Served by the Bhuta Ganas and Others,
Who Eats the Core of Kapittha Wood Apple and Jambu Rose Apple Fruits,
Who is the Son of Devi Uma (Devi Parvati) and the Cause of Destruction of Sorrows,
I Prostrate at the Lotus-Feet of Vigneshwara, the God Who Removes Obstacles.
Disclaimer: All images, designs or videos in this page are copyright of their respective owners. We don’t own have these images/designs/videos. We collect them from search engine and other sources to be used as ideas for you. No copyright infringement is intended. If you have reason to believe that one of our content is violating your copyrights, please do not take any legal action as we are trying to spread the knowledge. You can contact us directly to be credited or have the item removed from the site.
1) Lalbaug Cha Raja
Where: Ganesh Galli, Lalbaug. The most famous Sarvajanik Ganapati in Mumbai
Lalbaugcha Raja
2) Girgaon Cha Raja
Where: Girgaon
Girgaoncha Raja
3) Rangari Badak Chawl
Where: Lalbaug
Rangari Badak Chawl
4) Khetwadi
Where: Lane 1-12, Khetwadi
There are 12 lanes in Khetwadi and all 12 lanes have their own mandals and their ganpati.
Khetwadich Lane Ganpati
5) GSB Seva Mandal
Where: Ram Mandir, Wadala
The richest Ganpati.
GSB Seva Mandal
6) Parelcha Raja
Where: parel
Parel Cha Raja
7) Andhericha Raja
Where: Andheri
Andheri Cha Raja
8) Sahyadri Krida Mandal
Where: Tilak Nagar
Sahyadri Krida Mandal
9) Icchapurti Ganesh, Fort
Where: Fort
Icchapurti Ganesh Fort
10) Keshavji Naik Chawl
Where: Girgaon
Mumbai’s first sarvajanik Ganpati is Keshavji Naik Chawl Ganpati which was started by Lokmanya Tilak in 1893.
Keshavji Naik Chawl
11) Mumbaicha Raja
Where: Ganesh Galli, Lalbaug.
One of the biggest ganesh murti of mumbai
Mumbaicha Raja – Ganesh Galli
12) Tejukayacha Raja
Where: Lalbaug
Tejukaya Cha Raja
13) Chinchpokli Cha Chintamani
Where: Chinchpokli
Chinchpokli Cha Chintamani
14) Tulsiwadi Cha Maharaja
Where: Tardeo
Tulsiwadi Cha Maharaja
Disclaimer:All images, designs or videos in this page are copyright of their respective owners. We don’t own have these images/designs/videos. We collect them from search engine and other sources to be used as ideas for you. No copyright infringement is intended. If you have reason to believe that one of our content is violating your copyrights, please do not take any legal action as we are trying to spread the knowledge. You can contact us directly to be credited or have the item removed from the site.
There is a concept of prakriti and purush in Hinduism. Its a bit tough to explain but let me try to explain you in short. (I will write a big post of prakriti and purush explaining each and every small details later)
Samkhya: Samkhya or Sankhya is one of the six orthodox schools of Hindu philosophy. Samkhya is strongly dualist.
It regards the universe as consisting of two realities, Pursha (consciousness) and Prakriti (matter).
a living being or Jiva is that state in which purusha is bonded to prakriti in some form. This fusion, state the Samkhya scholars, led to the emergence of buddhi (“spiritual awareness”) and ahankara (individualized ego consciousness).
The universe is described by this school as one created by Purusha-Prakriti entities infused with various permutations and combinations of variously enumerated elements, senses, feelings, activity and mind.
During the state of imbalance, one of more constituents overwhelm the others, creating a form of bondage, particularly of the mind. The end of this imbalance, bondage is called liberation, or moksha by Samkhya school of Hinduism.
Simplify:
Its a big topic, so i’ll just simplify it for you. Just learn this, Prakriti = material reality and Purusha = spiritual reality
Material reality is to please our five senses. Sight, Hearing, Taste, Smell and touch are the five senses that we have. We work and do everything to please them. Every little and big thing you do in your life is to please one or all of these. From cleaning your house to visiting romantic places and to taste exotic foods.
Apart from this, material reality contains Art, Music, Sex, Pleasure, Prosperity, etc.
You will work hard, earn lot of money, your needs will increase, to keep up with them, you will work harder. It’s a loop. Human needs are unlimited, but the resources he have are always limited.
Material reality is impermanent; Sooner or later it withers away. Today you are eating the best food, tomorrow you may have a great financial loss and you won’t be able to afford what you can afford now. With this there comes a stage where you become restless, frustrated, pain, anxiety, stress, fear and all sorts of emotions.
So Now, Prakriti = material reality = Unstable
Purusha or spiritual growth is the ability to overpower these emotions so that one has the wisdom to appreciate and enjoy all things material without getting needy or clingy. One is happy when the material world favours us and not unhappy when it does not. This can only happen when material growth is accompanied by intellectual growth. Only intellectual growth can control emotional turmoil caused by dependence on material things.
So Now, Purusha = Spiritual reality = Stable
Prakriti Vs Purusha
Ok i think you got the basic idea of Prakriti and Purusha. Now, Think of our human body. The heart is on the left side, so the side is unstable. and so that side i.e. the left side of a body is considered as Prakriti Side.
So eventually, the right side, being stable is Purusha Side.
Moving on, When any person wants to go to a temple, he want to go there to calm himself. Technically, to exit the material world and enter the Spiritual world. So sit there, calm himself, to meditate, to pray. So if an individual wants to enter the spirituality i.e. the purusha, then why not to start from spiritual side of the body i.e. the purusha, the stable side, i.e the Right side..
Hope you got the answer.
Further info:
You can stop reading here. But if you are intrested in further understanding prakriti and purusha side, here is the small explaination.
Visit an temple or see any Hindu GOD’s photo. If the GOD’s right leg is on the ground, He or she represents the Purusha side.
Shiva and shakti are perfect blend of Purusha and Prakriti. SHIVA symbolises consciousness, the masculine principle.
SHAKTI symbolises the feminine principle, the activating power and energy.
Here is the third Part of our series “Ashtavinayaka: The eight abodes of Lord Ganesha” Where we will discuss the final three Ganesha which are Girijatmak , Vighneshwar and Mahaganpati . So lets start…
6) Girijatmaj (गिरिजत्मज)
It is believed that Parvati (Shiva’s wife) performed penance to beget Ganesha at this point. Girija’s (Parvati’s) Atmaj (son) is Girijatmaj. This temple stands amidst a cave complex of 18 caves of Buddhist origin. This temple is the 8th cave. These are called Ganesh-leni as well. The temple is carved out of a single stone hill, which has 307 steps. The temple features a wide hall with no supporting pillars. The temple hall is 53feet long, 51feet wide and 7feet in height.
Girijatmaj Lenyadri Ashtavinayaka
The idol faces north with its trunk to the left, and has to be worshipped from the rear of the temple. The temple faces south. This idol seems to be little different from the rest of the Ashtavinayak idols in a sense that it appears to be not very well designed or carved like the other idols. This idol can be worshipped by anyone. There is no electric bulb in the temple. The temple is constructed such that during the day it is always lighted up by the sun-rays!
Girijatmaj Lenyadri Ashtavinayaka
7) Vighneshwar (विघ्नेश्वर):
The history encompassing this idol states that Vighnasur, a demon was created by the King of Gods, Indra to destroy the prayer organized by King Abhinandan. However, the demon went a step further and destroyed all vedic, religious acts and to answer the people’s prayers for protection, Ganesh defeated him. The story goes on to say that on being conquered, the demon begged and pleaded with Ganesha to show a mercy. Ganesha then granted in his plea, but on the condition that demon should not go to the place where Ganesha worshipping is going on. In return the demon asked a favour that his name should be taken before Ganesha’s name, thus the name of Ganesha became Vighnahar or Vighneshwar (Vighna in Sanskrit means a sudden interruption in the ongoing work due to some unforeseen, unwarranted event or cause). The Ganesha here is called Shri Vighneshwar Vinayak.
Vighneshwar, ozhar – Ashtavinayaka
The temple faces east and is surrounded by a thick stone wall. One can walk on the wall. The main hall of the temple is 20feet long and the inner hall is 10feet long. This idol, facing the east, has its trunk towards the left and rubies in its eyes. There is a diamond on the forehead and some jewel in the navel. Idols of Riddhi and Siddhi are placed on the two sides of the Ganesha idol. The temple top is Golden and is possibly built by Chimaji Appa after defeating the Portuguese rulers of Vasai and Sashti. The temple is probably built around 1785AD.
Vighneshwar, ozhar – Ashtavinayaka
8) Mahaganpati (महागणपति)
Shiva is believed to have worshipped Ganesha before fighting the demon Tripurasura here. The temple was built by Shiva where he worshipped Ganesha, and the town he set up was called Manipur which is now known as Ranjangaon.
The idol faces the east, is seated in a cross-legged position with a broad forehead, with its trunk pointing to the left. It is said that the original idol is hidden in the basement, having 10 trunks and 20 hands and is called Mahotkat, however, the temple authorities deny existence of any such idol.
Mahaganpati, Ranjangaon – Ashtavinayaka
Constructed so that the rays of the sun fall directly on the idol (during the Southward movement of the sun), the temple bears a distinct resemblance to the architecture reminiscent of the 9th and 10th Centuries and faces the east. Shrimant Madhavrao Peshwa used to visit this temple very often and built the stone sanctum around the idol and in 1790AD Mr. Anyaba Dev was authorised to worship the idol.
Ranjangaoncha Mahaganapati is considered to be one of the Ashta Vinayak shrines of Maharashtra, celebrating eight instances of legends related to Ganesha.
Legend has it that when a sage had once sneezed he gave out a child; since being with the sage the child learnt many good stuff about lord ganesha, however had inherited many evil thoughts within; when he grew he developed in to a demon by name Tripurasura; thereafter he prayed to Lord Shiva and got three powerful citadels (the evil Tripuram forts) of Gold, Silver and Bronze with a boon of invincibility until all the three are in linear; with the boon to his side he caused suffering to all beings in the heavens and on earth. Upon hearing the fervent appeals of the Gods, Shiva intervened, and realized that he could not defeat the demon. It was upon hearing Narada Muni’s advice that Shiva saluted Ganesha and then shot a single arrow that pierced through the citadels, bringing an end to the demon.
Shiva, the slayer of the Tripura citadels is enshrined at Bhimashankaram nearby.
A variation of this legend is commonly known in South India. Ganesha is said to have caused the axle in Shiva’s chariot to break, as the latter headed to battle the demon without saluting Ganesha before he set out. Upon realizing his act of omission, Shiva saluted his son Ganesha, and then proceeded victoriously to a short battle against the powerful demon.
Mahaganapati is portrayed, seated on a lotus, flanked by his consorts Siddhi and Ridhi. The temple dates back to the period of Peshwa Madhav Rao. The temple was erected during the rule of the Peshwas. Peshwa Madhavrao had constructed the Garbhagriha, the sanctum to house the swayambhoo statue.
The temple faces east. It has an imposing main gate which is guarded by two statues of Jay and Vijay. The temple is designed in such away that during Dakshinayan[ the apparent movement of the sun to the south] the rays of the sun fall directly on the deity.
The deity is seated and flanked on both sides by Riddhi and Siddhi. The trunk of the deity turns to the left. There is a local belief that the real statue of Mahaganpati is hidden in some vault and this statue has ten trunks and twenty arms. But there is nothing to substantiate this belief.
Credits: To the original photos and the photographers!
Here is the second Part of our series “Ashtavinayaka: The eight abodes of Lord Ganesha” Where we will discuss the next three Ganesha which are Ballaleshwar, Varadavinayak and Chintamani. So lets start…
3) Ballaleshwar (बल्लाळेश्वर) :
Like a few other murtis, this one has diamonds embedded in the eyes and navel, and with His trunk pointing to the left. One speciality of this temple is that the prasad offered to this Ganapati at Pali is Besan Laadu instead of Modak that is normally offered to other Ganapatis. The shape of the idol itself bears a striking remblance with the mountain which forms the backdrop of this temple. This is more prominently felt if one views the photograph of the mountain and then sees the idol.
Ballaleshwar, pali – Ashtavinayaka
The original wooden temple was reconstructed in to a stone temple by Nana Phadanavis in 1760. There are two small lakes constructed on two sides of the temple. One of them is reserved for the puja (worship) of the Deity. This Temple faces the east and has two sanctums. The inner one houses the murti and has a Mushika (Ganesha’s mouse vahana) with modaka in his forepaws in front of it. The hall, supported by eight exquisitely carved pillars demands as much attention as the idol, sitting on throne carved like a Cyprus tree. The eight pillars depict the eight directions. Inner sanctum is 15 feet tall and outer one is 12 feet tall. The temple is constructed in such a way that after the winter (dakshinayan : southward movement of the sun) solstice, the sun rays fall on the Ganesha murti at sunrise. The temple is built with stones which are stuck together very tight using melted lead.
History of Temple
The legendary story of Shri Ballaleshwar is covered in Upasana Khand Section -22 occurred in Pali the old name Pallipur.
Kalyansheth was a merchant in Pallipur and was married to Indumati. The couple was childless for quite some time but later was blessed with a son known as Ballal. As Ballal grew, he spent much of his time in worshiping and praying. He was devotee of Lord Ganesha and used to worship stone idol of Shri Ganesha in the forest along with his friends and companions. As it used to take time, the friends would reach home late. Regular delay in returning house used to irritate the parents of the friends of Ballal who complained to his father saying that Ballal was responsible for spoiling the kids. Already unhappy with Ballal for not concentrating on his studies, Kalyansheth was boiling with anger when he heard the complaint. Immediately he reached the place of worship in the forest and devastated Pooja arrangements organized by Ballal and his friends. He threw away the Stone Idol of Shri Ganesh and broke the pandal. All the kids got frightened but Ballal who was engrossed in Pooja and japa, did not even know what was happening around. Kalayan beat Ballal mercilessly and tied him to the tree saying to get fed and freed by Shri Ganesha. He left for home thereafter.
Ballaleshwar, pali – Ashtavinayaka
Ballal semiconscious and tied to the tree in the forest was lying as that with severe pain all over, started calling his beloved God, Shri Ganesha. “O Lord, Shri Ganesha, I was busy in praying you, I was right and humble but my cruel father has spoiled my act of devotion and hence I am unable to perform Pooja.” Shri Ganesha was pleased and responded quickly. Ballal was freed. He blessed Ballal to be superior devotee with larger lifespan. Shri Ganesha hugged Ballal and said that his father would suffer for his wrongdoings.
Ballal insisted that Lord Ganesha should continue to stay there at Pali. Nodding His head Shri Ganesha made his permanent stay at Pali as Ballal Vinayak and disappeared in a large stone. This is famous as Shri Ballaleshwar.
Shri Dhundi Vinayak
In the above mentioned story the stone idol which Ballal used to worship and which was thrown away by Kalyan Sheth is known as Dhundi Vinayak. The idol is facing west. The birth celebration of Dhundi Vinayak takes place from Jeshtha Pratipada to Panchami. From ancient time, it is a practice to take darshan of Dhundi Vinayak before proceeding to main idol Shree Ballaleshwar.
4) Varad Vinayak (वरदविनायक)
Ganesha is said to reside here in the form of Varada Vinayaka, the giver of bounty and success. The idol was found in the adjoining lake (to Mr. Dhondu Paudkar in 1690AD), in an immersed position and hence its weathered look. In 1725AD the then Kalyan subhedar, Mr. Ramji Mahadev Biwalkar built the Varadavinayak temple and the village of Mahad.
Varad Vinayak – Ashtavinayaka
Mahad is a pretty village set in the hilly region of Konkan in the Raigarh district and the Khalapur Taluka of Maharastra.Lord Ganesha as Varad Vinayak fulfills all desires and grants all boons. This region was known as Bhadrak or Madhak in ancient times. The Original Idol of Varad Vinayak can be seen outside the sanctum. Both Idols are located in two corners- the Idol on the left is smeared in vermillion with its trunk turned left, and the idol on the right is made of white marble with its trunk turned to the right . The sanctum is made of stone and is surronded by beautiful stone elephant carving which house the idol. There are 4 elephant idols on 4 sides of the temple. Two stone idols of Riddhi & Siddhi can also be seen in the sanctum.
This is the only temple where devotees are allowed to personally pay their homage and respects to the idol. They are allowed in the immediate vicinity of this idol to perform their prayers.
5) Chintamani (चिंतामणि)
Ganesha is believed to have got back the precious Chinatamani jewel from the greedy Guna for sage Kapila at this spot. However, after bringing back the jewel, sage Kapila put it in Vinayaka’s (Ganesha’s) neck. Thus the name Chintamani Vinayak. This happened under the Kadamb tree, therefore Theur is known as Kadambanagar in old times.
Known to be one of the larger and more famous of the eight revered shrines, the temple is situated in the village of Theur, 25 km from Pune. The hall has a black stone water fountain in it. Beside the central shrine dedicated to Ganesha, there are three smaller shrines in the temple complex dedicated to Shiva, Vishnu-Lakshmi and Hanuman. Lord Ganesha is worshipped by the name ‘Chintamani’ in this temple as it is believed he provides deliverance from worries.
Chintamani – Ashtavinayaka
The lake behind the temple is called Kadambteertha. The temple entrance is North facing. The outer wooden hall was built by Peshwas. The main temple is supposed to have been built by Dharanidhar Maharaj Dev from the family-lineage of Shri Moraya Gosavi. He must have built this around 100 years before Senior Shrimant Madhavrao Peshwa built the outer wooden hall.
This idol also has a left trunk, with carbuncle and diamonds as its eyes. The idol faces the East side.
Theur’s Chintamani was the family deity of Shrimant Madhavrao I Peshwa. He suffered from tuberculosis and died at a very young age (27years). He is supposed to have died in this temple. His wife, Ramabai committed Sati with him on 18 November 1772.
Credits:
Photo credits to Original photos and the respective photographers ashtavinayaktemples.com
Ashtavinayaka , also pronounced as Asthavinayaka, Ashthavinayaka (अष्टविनायक) literally means “eight Ganeshas” in Sanskrit. Ganesh is the Hindu deity of unity, prosperity & learning and removes obstacles. The term Ashtavinayaka refers to eight Ganeshas. Ashtavinayaka yatra trip refers to a pilgrimage to the eight Hindu temples in Maharashtra state of India that house eight distinct idols of Ganesha, in a pre-ascertained sequence.
A decor showing all Ashtavinayaka
The Ashtavinayaka yatra or pilgrimage covers the eight ancient holy temples of Ganesha which are situated around Maharashtra, A state of India. Each of these temples has its own individual legend and history, as distinct from each other as the murtis (Idos) in each temple. The form of each murti of Ganesha and His trunk are distinct from one another. All the Eight Ashtavinayak Temples are Swayambhu (self-originated) and Jagrut.
The eight names of Ashtavinayaka are:
1. Moreshwar (मोरेश्वर) from Morgaon
2. Mahaganpati (महागणपति) from Ranjangaon
3. Chintamani (चिंतामणि) from Theur
4. Girijatmak (गिरिजत्मज) from Lenyadri
5. Vighneshwar (विघ्नेश्वर) from Ojhar
6. Siddhivinayak (सिद्धिविनायक ) from Siddhatek
7. Ballaleshwar (बल्लाळेश्वर) from Pali
8. Varad Vinayak (वरदविनायक) from Mahad
1) Moreshwara (मोरेश्वर):
This is the most important temple on this tour. The temple, built from black-stone during the Bahamani reign, has four gates (It is supposed to have been built by one of the knights named Mr. Gole, from the court of Bidar’s Sultan). The temple is situated in the centre of the village. The temple is covered from all sides by four minarets and gives feeling of a mosque if seen from a distance. This was done to prevent attacks on the temple during Mughal periods. The temple has 50 feet tall wall around it.
Morgaon temple – Ashtavinayaka
There is a Nandi (Shiva’s bull mount) sitting in front of this temple entrance, which is unique, as Nandi is normally in front of only Shiva temples. However, the story says that this statue was being carried to some Shivamandir during which the vehicle carrying it broke down and the Nandi statue could not be removed from its current place.
The murti of Lord Ganesha is three eyed, seated, and his trunk is turned towards the left, riding a peacock, in the form of Mayureshwara is believed to have slain the demon Sindhu at this spot. The idol, with its trunk turned to the left, has a cobra (Nagaraja) poised over it protecting it. This form of Ganesha also has two other murtis of Siddhi (Capability) and Riddhi (Intelligence).
Morgaon Ganpati – Ashtavinayaka
However, this is not the original murti -which is said to have been consecrated twice by Brahma, once before and once after being destroyed by the asura Sindhurasur. The original murti, smaller in size and made of atoms of sand, iron, and diamonds, was supposedly enclosed in a copper sheet by the Pandavas and placed behind the one that is currently worshiped.
2) Siddhivinayak (सिद्धिविनायक ):
Siddhatek is a remote little village along the river Bhima in the Ahmednagar district and Karjat tehsil in Maharashtra. The Siddhivinayak Ashtavinayak Temple at Siddhtek is considered an especially powerful deity. God Vishnu is supposed to have vanquished the asuras Madhu and Kaitabh after propitiating Ganesha here. This is the only murti of these eight with the trunk positioned to the right. It is believed that the two saints Shri Morya Gosavi and Shri Narayan Maharaj of Kedgaon received their enlightenment here.
Siddhivinayak Siddhatek temple – Ashtavinayak
The Mudgala Purana narrates that at the beginning of Creation, the creator-god Brahma emerges from a lotus, that rises the god Vishnu’s navel as Vishnu sleeps in his yoganidra. While Brahma starts creating the universe, two demons Madhu and Kaitabha rise from the dirt in Vishnu’s ear. The demons disturb Brahma’s process of creation, thereby compelling Vishnu to awake. Vishnu battles the battle, but cannot defeat them. He asks the god Shiva the reason for this. Shiva informs Vishnu that he cannot succeed as he had forgotten to invoke Ganesha – the god of beginning and obstacle removal – before the fight. Therefore Vishnu performs penance at Siddhatek, invoking Ganesha with his mantra “Om Sri Ganeshaya Namah”. Pleased, Ganesha bestows his blessings and various siddhis (“powers”) on Vishnu, returns to his fight and slays the demons. The place where Vishnu acquired siddhis was thereafter known as Siddhatek.
Siddhivinayak, Siddhatek Ganpati – Ashtavinayaka
The temple is North-facing and is on a small hillock. The main road towards the temple was believed to be built by Peshwa’s general Haripant Phadake. The inner sanctum, 15 feet high and 10 feet wide is built by Punyashloka Ahilyabai Holkar. The idol is 3feet tall and 2.5feet wide. The idol faces North-direction. The stomach of the murti is not wide, but Riddhi and Siddhi murtis are sitting on one thigh. This murti’s trunk is turning to the right. The right-sided-trunk Ganesha is supposed to be very strict for the devotees. To make one round (pradakshina) around the temple one has to make the round trip of the hillock. This takes about 30 minutes with moderate speed.
Peshwa general Haripant Phadake lost his General’s position and did 21 Pradakshina around the temple. On the 21st day Peshwa’s court-man came and took him to the court with royal honor. Haripant promised the God that he will bring the stones of the castle which he will win from the first war he will fight as the general. The stone pathway is built from the Badami-Castle which was attacked by Haripant soon after he became the general.
Credits:
Photo credits to the original uploaders and Photographers
Parshuram a.k.a Parashurama, Parashuraman is the sixth avatar of Vishnu. He is son of Renuka and the saptarishi Jamadagni. Parshurama is one of the seven Immortals. Lord Parashuram was the Great Grandson of Bhrugu Rishi, after whom the “Bhruguvansh” has been named. He lived during the last Dvapara Yuga, and is one of the seven immortals or Chiranjivi, of Hinduism. He received an parashu(axe) after undertaking terrible penance to please Shiva, who in turn taught him the martial arts.
parashurama
Parashurama is most known for ridding the world of kshatriyas twenty-one times over after the mighty king Kartavirya killed his father. He played important roles in the Mahabharata and Ramayana, serving as mentor to Bhishma, Karna and Drona. Parashurama also fought back the advancing seas to save the lands of Konkan, Malabar and Kerala.
Renuka devi and the clay pot
Parshurama’s parents were great spiritual achievers his Mother Renuka devi had command over the water elments and his father Jamadgani over fire. its even said that Renuka devi could fetch water in the even in a wet clay pot. Once Rishi Jamadgani asked Renuka Devi to fetch water in the clay pot, some how Renuka Devi was distracted from the thought of being a women and the clay pot broke. Seeing Renuka Devi wet the enraged Jamadgani called his son Parshurama. He ordered Parshurama to cut Renuka devi’s head. Parshuram obeyed his father. Rishi Jamadgani was so pleased with his son that he asked him for a boon. Parshurama asked Rishi Jamadgani to restore the breaths of his mother, thus Rishi Jamadgani who was the owner of Divya Shakties (divine Powers) brought back the life of Renuka Devi. Kamdhenu Cow
Parshurama
Rishi Jamadgani and Renuka Devi both were blessed not only for having Parshuram as their son but they were also given the Kamdhenu Cow. Once Rishi Jamadgani went out from his Ashram and in the mean while some Kshatriyas (worriers) arrived at their Ashram. They were in search of food, the Ashram Devies gave them food they were so surprised to see the magical cow Kaamdhenu, the cow would give any Dish she asked for. They were so amused and they put up the purposal of buying the cow for their king Kartavirya Sahasrarjuna, but all the Ashram sahadus (sages) and Devies refused. they forcefuly took away the cow. Parshurama killed the entire army of King Kartavirya Sahasrarjun and restored the magical cow. In Revenge Kartavirya Sahasrarjun’s son killed Jamadgani. When ParshuRama returned to the ashram he saw his father’s body . He noticed the 21 scars on Jamadgani’s body and took the pledge to kill all unjust kshatriyas 21 time on this earth. he killed all the sons of king.
Shri Parashuram left home to do devout austerities to please Lord Shiva. Considering his extreme devotion, intense desire and unmoved and perpetual meditation, Lord Shiva was pleased with Shri Parashuram. He presented Shri Parashuram with Divine weapons. Included was His unconquerable and indestructible axe shaped weapon, Parashu. Lord Shiva advised him to go and liberate the Mother Earth from felons, ill-behaved people, extremists, demons and those blind with pride.
Lord Shiva and Parshuram
Once, Lord Shiva challenged Shri Parashuram to a battle to test his skills in warfare. The spiritual master Lord Shiva and the disciple Shri Parashuram were locked in a fierce battle. This dreadful duel lasted for twenty one days. While ducking to avoid being hit by the Trident (Trishul) of Lord Shiva, Shri Parashuram vigorously attacked Him with his Parashu. It struck Lord Shiva on the forehead creating a wound. Lord Shiva was very pleased to see the amazing warfare skills of His disciple. He passionately embraced Shri Parashuram. Lord Shiva preserved this wound as an ornament so that the reputation of his disciple remained imperishable and insurmountable. ‘Khanda-parshu’ (wounded by Parashu) is one of the thousand names (for the salutation) of Lord Shiva.
Parshurama and Shiva
Vijaya Bow
Shri Parashuram, clipped the thousand arms of Sahasrarjun, one by one, with his Parashu and killed him. He repelled his army by showering arrows on them. The whole country greatly welcomed the destruction of Sahasrarjun. The king of Deities, Indra was so pleased that he presented His most beloved bow named Vijaya to Shri Parashuram. Lord Indra had destroyed demon dynasties with this bow. By the fatal arrows shot with the help of this Vijaya bow, Shri Parashuram destroyed the miscreant Kshatriyas twenty one times. Later Shri Parashuram presented this bow to his disciple Karna when he was pleased with his intense devotion to the Guru. Karna became unconquerable with help of this bow Vijaya presented to him by Shri Parashuram
In Ramayana
In Valmiki Ramayana, Parashurama stops the journey of Sri Rama and his family after his marriage to Sita. He threatens to kill Sri Rama and his father, King Dasharatha, begs him to forgive his son and punish him instead. Parashurama neglects Dasharatha and invokes Sri Rama for a challenge. Sri Rama meets his challenge and tells him that he does not want to kill him because he is a Brahmin and related to his guru, Vishwamitra maharshi. But, he destroys his merit earned through penances. Thus, Parashurama’s arrogance gets diminished and he returns to his normal mind.
Mentorship of Drona
At the end of his time in the Vedic period, Parashurama was renouncing his possessions to take sanyasi. As the day progressed, Drona, then a poor Brahmin, approached Parashurama asking for alms. By that time, the warrior-sage had already given the Brahmins his gold and Kasyapa his land, so all that was left were his body and weapons. Parushurama asked which Drona would have, to which the clever Brahmin responded:
“O son of Bhrigu, it behoveth thee to give me all thy weapons together with the mysteries of hurling and recalling them.”
—Mahabharata 7:131
Thus, Parashurama gave all his weapons unto Drona, making him supreme in the science of arms. This becomes crucial as Drona later became the guru to both the Pandavas and the Kauravas who fought against each other in the Kurukshetra War. It is said that Lord Parashurama carried Lord Vishnu’s “Sudharshana Chakra” and “Bow” and Lord Balram’s “Gadha” while they fulfill their education with Guru Sandeepani
Ekadanta
According to Puranas, Parashurama travelled to the Himalayas to pay respect to his teacher, Shiva. While travelling, his path was blocked by Ganesha, son of Shiva and Parvati. Parashurama threw his axe at the elephant-god. Ganesha, knowing the weapon had been given to Parashurama by his father, allowed it to sever his left tusk.
His mother Parvati was infuriated, and declared she would cut off the arms of Parashurama. She took the form of Durgama, becoming omnipotent, but at the last moment, Shiva was able to pacify her by making her see the avatar as her own son. Parashurama also asked her forgiveness, and she finally relented when Ganesha himself spoke on behalf of the warrior-saint. Parashurama then gave his divine axe to Ganesha and blessed him. Another name for Ganesha because of this encounter is Ekadanta, or ‘One Tooth’.
Beating back the Arabian Sea
Puranas write that the western coast of India was threatened by tumultuous waves and tempests, causing the land to be overcome by the sea. Parashurama fought back the advancing waters, demanding Varuna release the land of Konkan and Malabar. During their fight, Parashurama threw his axe into the sea. A mass of land rose up, but Varuna told him that because it was filled with salt, the land would be barren.
Parshurama Beating back the Arabian Sea
Parashurama then did a tapasya for Nagaraja, the King of Snakes. Parashurama asked him to spread serpents throughout the land so their venom would neutralize the salt filled earth. Nagaraja agreed, and a lush and fertile land grew. Thus, Parashurama pushed back the coastline between the foothills of the Western Ghats and the Arabian Sea, creating modern day Kerala.
The coastal area of Kerala, Konkan, Karnataka, Goa and Maharashtra, are today also known as Parashurama Kshetra or Land of Parashurama in homage. Puranas record that Parashurama placed statues of Shiva at 108 different locations throughout the reclaimed land, which still exist today. Shiva, is the source of kundalini, and it around his neck that Nagaraja is coiled, and so the statues were in gratitude for their baneful cleansing of the land.
Parshurama and Surya:
Parashurama once became annoyed with the sun god Surya for making too much heat. The warrior-sage shot several arrows into the sky, terrifying Surya. When Parashurama ran out of arrows and sent his wife Dharani to bring more, the sun god then focused his rays on her, causing her to collapse. Surya then appeared before Parashurama and gave him two inventions that have since been attributed to the avatar, sandals and an umbrella
Kalaripayattu The indian Martial Arts
Parashurama and the saptarishi Agastya are regarded as the founders of kalaripayattu, the oldest martial art in the world. Parashurama was a master of shastravidya, or the art of weaponry, as taught to him by Shiva. As such, he developed northern kalaripayattu, or vadakkan kalari, with more emphasis on weapons than striking and grappling. Southern kalaripayattu was developed by Agastya, and focuses more on weaponless combat. Kalaripayattu is known as the ‘mother of all martial arts’.
Bodhidharma, the founder of Zen Buddhism, also practiced kalaripayattu. When he traveled to China to spread Buddhism, he brought the martial art with him, which in turn was adapted to become the basis of Shaolin Kung Fu
Unlike other incarnations of Vishnu, Parashurama is a Chiranjivi, and is said to still be doing penance today in Mahendragiri. The Kalki Purana writes that he will reemerge at the end of Kali Yuga to be the martial and spiritual guru of Kalki, the tenth and final avatar of Vishnu. It is foretold that he will instruct Kalki to perform a difficult penance to Shiva, and receive the celestial weaponry needed to bring about end time.
Parashurama as per Theory Of Evolution:
The sixth avatar of Lord Vishnu was Parashuram, a rugged primitive warrior with a battle axe. This form could be a symbol of the cave-man stage of evolution and his usage of the axe could be seen as man’s evolution from the stone age to the iron age. Man had learnt the art of using tools and weapons and exploit the natural resources available to him.
Temples:
Parashurama is worshipped as mool purush, or founder, of the Bhumihar Brahmin, Chitpavan, Daivadnya, Mohyal, Tyagi, Shukla, Awasthi, saryupareen, Kothiyal, Anavil, Nambudiri bhardwaj and gaud Brahmin communities.
Parshurama Temple, Chiplun Maharashtra
Credits:
Image credits to the original Artist and Photographer
Well, there are many reasons why people ask this question and there are many answers to the question. People ask this question out of genuine interest, genuine curiosity, genuine confusion and even out of meanness. So, here are the many answers for why are there many Gods in Hinduism.
Lalbabu Cha Raja Ganpati and His Millions of Followers
1. There are ‘no-god’ religions, ‘one-god’ religions and ‘many-gods’ religions in this world. ‘Many-gods’ religions are as natural as the ‘no-god’ religions and ‘one-god’ religions. They just evolved, because God / Nature loves variety. As simple as that.
2. Let us turn this question around. If you are asking why there are multiple gods in Hinduism, you should also ask why there is only one-god in Abrahamic religions? Why? Why? Why only one God?
3. The ‘one-god’ religions truly do not have one-god. They had many gods and the followers of each God fought with the followers of other gods literally to establish their own superiority and they made their god as the ‘only available God’ and called it ‘One-God’. And the story doesn’t stop there. Whenever there is in-fighting, a new branch of the religion gets created. All the hundreds of branches have different notions of the same God and fight over their differences. Major branches actually kill and heap abusing each other.
4. The One-God religions are like political parties. The followers rally behind their God like captive voters of political parties follow their leaders. They want to argue that their God is ‘true’ God and everyone else’s God is ‘false’. How can there be ‘true’ or ‘false’ Gods, if there is only one God?
5. Hinduism is not like a political party. Hindu Gods do not ask for ‘acceptance’ or ‘belief’, just like Sun, who doesn’t need your or my acceptance or belief for his existence. There is no ‘true’ Sun or false ‘Sun’. Hinduism is about contemplating and understanding the oneness of Universe. It is called Brahman, Tat or Aum and by many other names. But you may ask, why so many names? Because all Natural objects have multiple names. Sun has many names in many languages. Water has many names in many languages. Only man-made objects have ‘one’ name. For example, Coke, a man-made name is same in every language. Toyota, a man-made entity, is the same in every language. The religions that have only one-God that goes by only one-name must have been man-made religions.
6. The Universe is big. It is not only big in size, but also in its aspects and qualities. Each aspect is deep in itself to understand. For example, the universe regenerates itself continuously. That is one aspect. The universe maintains itself in a state of equilibrium. That is another aspect. The universe gives raise to a diverse set of organisms. That is yet another aspect. The universe has energy and it moves. That is one more aspect. But also the universe stays as is for long time. That is another aspect. Each God of Hinduism represents one aspect of the Universe.
7. Since our minds are small, we cannot hold the full image of God. Therefore the god you see and the god your brother or sister sees is going to be different. In stead of fighting over and branch out into multiple religions and denominations, Hinduism says that your image of God is what you can relate to, so go with it. And similarly your brother’s image of God is what he can relate to, so he will have to go with it. You have no business about your brother’s image of God and your brother has no business about your image of God. You can leave it at that. But if you are a friendly person and if you value your brother as much as you value yourself, you would be curious about his image of god and he would be curious about your image of god. When you exchange each other’s image of God, you will both see a ‘bigger picture’ of God. So for the sake comfort, keep your image of God. For the sake of growing, gain a better image of God, by exchanging your ideas of God with your brother. Once you keep growing and your brother keeps growing, both of your images converge to the same infinite god. No need to fight. Just keep all the Gods. This is the most beautiful and open concept about gods that mankind has ever created. It is free for you to take. What are you waiting for ?
