May Well-Being come to those who remember Sri Gananayaka, the leader of the Ganas, who has the Auspicious Face of an Elephant; Who abides as Moreshwara at Morgaon, and Who abides as giver of Siddhis at Siddhatek. ||1||
Who abides as Sri Ballala (at Pali), Who abides as Vinayaka, The Remover of Obstacles at Muruda (Mahad) and Who abides as Chintamani, a Wish-Fulfilling Gem at Thevur. ||2||
Who abides as Girijatmaja, Son of Devi Girija or Parvati at Lenyadri, and Who abides as Vigneshwara at Ojhara ||3||
Who abides as Ganapati in the village named Raanjana; May He always bestow His Auspicious Grace on us. ||4||
As the Rays from the Lotus-Face of Gauri is Always on Her Beloved Son Gajanana,
Similarly, the Grace of Sri Ganesha is Always on His Devotees; Granting their Many Prayers; the Devotees who with deep devotion Worship the Ekadanta ( Who is having a Single Tusk ).
I Salute Sri Gajananam, Who is having an Elephant Face, Who is Served by the Bhuta Ganas and Others,
Who Eats the Core of Kapittha Wood Apple and Jambu Rose Apple Fruits,
Who is the Son of Devi Uma (Devi Parvati) and the Cause of Destruction of Sorrows,
I Prostrate at the Lotus-Feet of Vigneshwara, the God Who Removes Obstacles.
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The 10 Mahavidyas are Wisdom Goddesses, who represent a spectrum of feminine divinity, from horrific goddesses at one end, to the gentle at the other.
The name Mahavidyas comes from the Sanskrit roots, with maha meaning ‘great’ and vidya meaning, ‘revelation, manifestation, knowledge, or wisdom
Mahavidyas (Great Wisdoms) or Dasha-Mahavidyas are a group of ten aspects of the Divine Mother Durga or Kali herself or Devi in Hinduism. The 10 Mahavidyas are Wisdom Goddesses, who represent a spectrum of feminine divinity, from horrific goddesses at one end, to the gentle at the other.
Shaktas believe, “the one Truth is sensed in ten different facets; the Divine Mother is adored and approached as ten cosmic personalities,” the Dasa-Mahavidya (“ten-Mahavidyas”). The Mahavidyas are considered Tantric in nature, and are usually identified as:
The ultimate form of Brahman, “Devourer of Time” (Supreme Deity of Kalikula systems)
kali is the Hindu goddess associated with empowerment, shakti. She is the fierce aspect of the goddess Durga (Parvati). The name Kali comes from kāla, which means black, time, death, lord of death
Tara: The Protector
The Goddess as Guide and Protector, or Who Saves.Who offers the ultimate knowledge which gives salvation (also known as Neel Saraswati).
tara meaning “star”. As the star is seen as a beautiful but perpetually self-combusting thing, so Tara is perceived at core as the absolute, unquenchable hunger that propels all life.
Tripura Sundari (Shodashi):
The Goddess Who is “Beautiful in the Three Worlds” (Supreme Deity of Srikula systems) or Beautiful Goddess of the Three Cities; the “Tantric Parvati” or the “Moksha Mukta”.
As Shodashi, Tripurasundari is represented as a sixteen-year-old girl, and is believed to embody sixteen types of desire. Shodashi also refers to the sixteen syllable mantra, which consists of the fifteen syllable (panchadasakshari) mantra plus a final seed syllable. Bhuvaneshvari: The Goddess Whose Body is the Cosmos
The Goddess as World Mother, or Whose Body is the Cosmos.
The Queen of the Universe. Bhuvaneshwari means the Queen or ruler of the Universe. She is the Divine Mother as the Queen of all the worlds. All the Universe is her body and all beings are ornaments on her infinite being. She carries all the worlds as a flowering of her own Self-nature. She is thus related to Sundari and to Rajarajeshwari, the supreme Lady of the Universe. She is capable of turning situations according to her wish. It is considered that even the navagrahas and Trimurti cannot stop her from doing anything. Bhairavi: The Fierce Goddess
She is also called Shubhamkari, good mother to good people and terrible to bad ones. She is seen holding book, rosary, and making fear-dispelling and boon-conferring gestures. She is also known as Baala or Tripurabhairavi. It is believed that when Bhairavi entered the battle field, her horrible appearance made the demons become weak and very feeble, and it is also believed that most of the demons started panicking as soon as they saw her. Bhairavi is seen mainly as the Chandi in the Durga Saptashati version of slaying Shumbha and Nishumbha. However, she kills and drinks the blood of Chanda and Munda the Chieftains of asuras, so the Goddess Parvati gives her a boon that she would be called Chamundeshwari. Chhinnamasta: The self-decapitated Goddess.
Chhinnamasta can be easily identified by her fearsome iconography. The self-decapitated goddess holds her own severed head in one hand, a scimitar in another. Three jets of blood spurt out of her bleeding neck and are drunk by her severed head and two attendants. Chhinnamasta is usually depicted standing on a copulating couple.
Chhinnamasta is associated with the concept of self-sacrifice as well as the awakening of the kundalini – spiritual energy. She is considered both as a symbol of self-control on sexual desire as well as an embodiment of sexual energy, depending upon interpretation. She symbolizes both aspects of Devi: a life-giver and a life-taker. Her legends emphasize her sacrifice – sometimes with a maternal element, her sexual dominance and her self-destructive fury. Dhumavati: The Widow Goddess,or the Goddess of death.
She is often portrayed as an old, ugly widow, and is associated with things considered inauspicious and unattractive in Hinduism, such as the crow and the Chaturmas period. The goddess is often depicted on a horseless chariot or riding a crow, usually in a cremation ground.
Dhumavati is said to manifest herself at the time of cosmic dissolution (pralaya) and is “the Void” that exists before creation and after dissolution. She is often called tender-hearted and a bestower of boons. Dhumavati is described as a great teacher, one who reveals ultimate knowledge of the universe, which is beyond the illusory divisions, like auspicious and inauspicious. Her ugly form teaches the devotee to look beyond the superficial, to look inwards and seek the inner truths of life.
Dhumavati is described as a giver of siddhis (supernatural powers), a rescuer from all troubles, and a granter of all desires and rewards, including ultimate knowledge and moksha (salvation). Bagalamukhi: The Goddess Who Paralyzes Enemies
Bagalamukhi Devi smashes the devotee’s misconceptions and delusions (or the devotee’s enemies) with her cudgel. Matangi: – the Prime Minister of Lalita (in Srikula systems)
She is considered to be the Tantric form of Sarasvati, the goddess of music and learning. Like Sarasvati, Matangi governs speech, music, knowledge and the arts. Her worship is prescribed to acquire supernatural powers, especially gaining control over enemies, attracting people to oneself, acquiring mastery over the arts and gaining supreme knowledge. Kamalatmika: The Lotus Goddess; the “Tantric Lakshmi”
Kamalatmika has a golden complexion. She is being bathed by four large elephants, who pour kalashas (jars) of amrita (nectar) over her. She has four hands. In two hands, she holds two lotuses and her other two hands are in abhayamudra (gesture of giving assurance) and varamudra (gesture of conferring boons) respectively. She is shown as seated in padmasana (lotus posture) on a lotus, symbol of purity.
The name Kamala means “she of the lotus” and is a common epithet of Goddess Lakshmi. Lakshmi is linked with three important and interrelated themes: prosperity and wealth, fertility and crops, and good luck during the coming year.
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The Tridevi (त्रिदेवी) is a concept in Hinduism conjoining the three consorts of the Trimurti (Great Trinity), that are personified by the forms of Hindu Goddesses: Saraswati, Lakshmi and Parvati or Durga. They are the manifestations of the Adi Parashakti, the Supreme Being and Divine Mother in Shaktism.
Saraswati is the goddess of learning and arts, cultural fulfillment (consort of Brahma the creator). She is the cosmic intelligence, cosmic consciousness,and cosmic knowledge.
Lakshmi is the goddess of wealth and fertility, material fulfillment (consort of Vishnu the maintainer or preserver). However, she does not signify mere material wealth like gold, cattle, etc. All kinds of prosperity, glory, magnificence, joy, exaltation, or greatness come under Lakshmi.
Parvati or Durga:
Parvati/ Mahakali (or in her demon-fighting aspect Durga) the goddess of power and love, spiritual fulfillment (consort of Shiva the destroyer or transformer). She also depicts the transformational power of divinity, the power that dissolves multiplicity in unity.
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Here is the list of 10 prime Goddesses in hinduism (no particular order)
Lakshmi (लक्ष्मी) is the Hindu goddess of wealth, love, prosperity (both material and spiritual), fortune, and the embodiment of beauty. She is the wife and active energy of Vishnu.
Saraswati (सरस्वती) is the Hindu goddess of knowledge, music, arts, wisdom and learning. She is a part of the trinity of Saraswati, Lakshmi and Parvati. All the three forms help the trinity of Brahma, Vishnu and Shiva to create, maintain and regenerate-recycle the Universe respectively
Durga (दुर्गा), meaning “the inaccessible” or “the invincible”, is the most popular incarnation of Devi and one of the main forms of the Goddess Shakti in the Hindu pantheon.
Parvati (पार्वती) is the Hindu goddess of love, fertility and devotion. She is the gentle and nurturing aspect of Hindu goddess Shakti. She is the mother goddess in Hinduism and has many attributes and aspects.
Kali also known as Kalika, is the Hindu goddess associated with empowerment, shakti. She is the fierce aspect of the goddess Durga (Parvati).
Sita (सीता) is the consort of the Hindu god Rama and is an avatar of Lakshmi, goddess of wealth and wife of Vishnu. She is esteemed as a paragon of spousal and feminine virtues for all Hindu women. Sita is known for her dedication, self-sacrifice, courage and purity.
Radha, which means prosperity and success, is one of the Gopis of Vrindavan, and is a central figure of Vaishnava theology.
Rati is the Hindu goddess of love, carnal desire, lust, passion and sexual pleasure. Usually described as the daughter of Prajapati Daksha, Rati is the female counterpart, the chief consort and the assistant of Kama (Kamadeva), the god of love.
the river Ganges is considered sacred and is personified as a goddess known as Ganga. It is worshipped by Hindus who believe that bathing in the river causes the remission of sins and facilitates Moksha.
Annapurna or Annapoorna is the Hindu goddess of nourishment. Anna means “food” or “grains”. Purna means “ful l, complete and perfect”. She is an avatar (form) of Parvati, the wife of Shiva.
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Of all the avataras Mohini is the only female avatar. But the most beguiling of them all. She is portrayed as an enchantress, who maddens lovers, sometimes leading them to their doom. Unlike the Dasavataras, which appear on Earth during a certain period, Vishnu takes up Mohini avatara during many time periods. In the original text, Mohini is referred to as simply an enchanting, female form of Vishnu. In later versions, Mohini is described as the maya(illusion) of Vishnu (mayam ashito mohinim).
Almost all her tales has that element of slyness. Most of which were the ones leading the asuras (the bad guys) to doom. Bhasmasur was one such asura. Bhasmasur was a devotee of Lord Shiva (Well, Lord Shiva had no restriction upon who could worship him. He was known as Bholenath – easily pleased). He used to perform long penances in order to please Shiva. Shiva being pleased with his austerities, granted him one wish. Bhasmasur, asked him for the one obvious wish – immortality. However, this was out of Shiva’s ‘pay-grade’. So, he asked for the next coolest wish – the license to kill. Bhasmasur asked that he be granted the power that anyone whose head he touched with his hand should burn up and immediately turn into ashes (bhasma).
Well, so far things were going fine for Shiva. Bhasmasur, now sees the beautiful consort of Shiva – Parvati. A pervert and wicked asura as he was, wanted to possess her and marry her. He, thenceforth tries using his newly granted boon on Shiva himself (one piece of rotten asura he is). Shiva, being bound by the ‘contract’ had no power to take back his grant. He fled, and was chased by Bhasmasur. Wherever Shiva went, Bhasmasur chased him down. Somehow, Shiva managed to reach Vishnu to seek a solution to this predicament. Vishnu on hearing Shiva’s problem, agreed to help him out.
Vishnu took up the form of Mohini and appeared in front of Bhasmasur. Mohini was so exceedingly beautiful that Bhasmasur immediately fell in love with Mohini (This is what years of austerity does to you). Bhasmasur asked her (Mohini) to marry him. On a side note, the asuras of the vedic times were real gentlemen. The only way to be with a woman was to marry them. Anyways, Mohini asked her out on a dance, and would marry him only if he could match her moves identically. Bhasmasur agreed to the match and hence they started dancing. The feat went for days at an end. As Bhasmasur matched the disguised Vishnu’s move for move, he began to let his guard down. While still dancing, Mohini, struck a pose where her hand was placed on top of her own head. And Bhasmasura, whose eyes were constantly fixed upon Mohini’s beautiful face, completely forgot about Lord Shiva’s boon, and put his hand on his head too and turned into ashes.
Parvati once donated Shiva to Brahma’s Sons on Narad’s advice.
This happened when their second child, Ashokasundari, left home (Kailasha) for meditation.
This is the story: When Kartikeya, their first child, was born, he was given to the Kritikas (some women from Kritika place). This was done because Shiva believed that by growing in that place, he would imbibe skills that would help in warfare later. After coming to Kailasha, he immediately went to train to fight Tarakasura, one of the strongest daemons in the Hindu mythology. Shortly after killing him, he was sent to another kingdom for its protection. So Parvati was not given much opportunities to enjoy the company of her son.
Similar things happened with Ashokasundari. She was shortly motivated to go for meditation.
So Parvati was very upset because her family was never together. Menavati, her mother, tells her that in order to take care of this, Shiva himself should spend more time at home. So now the problem was how to make this happen.
Narad to the rescue! He tells Parvati that when Sachi, the wife of Indra, was having similar problem, she donated Indra to Narad. But Narad gave Indra back to her as he couldn’t see any advantage of keeping him. Since then Indra used to spend most of the time at home. So both Menavati and Narad convince Parvati to adopt a similar method. Narad tells Parvati that she could donate Shiv to the 4 Brahma sons – Sanaka, Sanatana, Sanandana and Sanatkumara.
(Brahma sons taking Shiv along with them)
The donation actually happened, but contrary to their expectation, the Brahma sons did not give Shiv back (who would, eh?).
Then there was a massive uproar everywhere as Shiva was no longer taking care of the worldly affairs – he was now a “property” of the Brahma sons and had to obey their orders. So Parvati assumes a form of an old lady and tries to show them how the world would get devastated if Shiva was not freed. They were convinced and let go of Shiva.